Thursday, July 18, 2019

About "Ergon: A Journal about Greek/American Culture"

“Years in the village. My father in America. Not sharing the mornings, the mountains, / the rose bush, the air. Moving past the yellow hills, the blue, the almond blossoms, / separately, in separate countries.” Written by Tryfon Tolides, an award-winning poet, the narrative verses above evoke the fragmentation of a family that immigration may bring about. The father is no longer present in the everyday routines of the family. Not being a part of village life and the surrounding landscape either, his absence looms large. His separation creates a void. He is nowhere to be seen in the midst of rose bush, the yellow hills, and in the background of the blue. His departure creates a drab emptiness, which the poet contrasts dramatically with a landscape filled with colors.

Immigration deeply affects individuals and families, those who leave and those who stay behind. It is an experience of new beginnings, difficult adjustments, filled with longing and anticipation. It is about growing roots as well as building institutions. For the American-born sons and daughters of immigrants, life also presents various challenges. Navigating two worlds, two languages, and two cultures is a common experience for the second generation. Immigration and ethnicity entail complex, often life-defining experiences. Not surprisingly, individuals, like Tolides, often resort to poetry, literature, film, photography, and scholarship to tell their stories, to make sense of the experience, to share it with others, to document it.

In order to convey this literary and cultural experience of immigration and diaspora, I launched almost a year ago, in October 2017, Ergon: Greek/American Arts and Letters, an online, free access journal. I wanted to share with readers news about and analysis of the latest documentaries, films, museum exhibits, or books about Greek America. I invited authors, photographers, and scholars to tell their stories. I encouraged scholars to write about the political and cultural relations between the United States and Greece. I wrote about available archives and shared information about resources where readers can learn about Greek American history and culture.

Ergon is a forum that brings together poetry, literature, interviews, film, photography, book reviews and scholarly analysis written in a manner that is accessible to non-academic audiences. Because this kind of venue was absent, I felt it was my responsibility as an educator to create one so that I could make this knowledge available to the public.

The narratives we tell about Greek America have been proliferating. New documentaries, novels, and films are produced, both in the United States and Greek, sometimes earning prestigious international awards. The novel Dendrites (2015), for instance, a story written in Greek about two generations of a Greek American family in Camden, NJ, received the 2017 European Union Prize of Literature. The film Brides (2004), a compelling visual narration of the phenomenon of early twentieth century arranged marriages between Greece and the United States, won the first prize in the Greek State Film Awards. Ergon informs the public about the availability of these narratives and offers perspectives for understanding their significance.

Ergon is a labor of love. It has received grants by OSU’s Humanities and the Arts Discovery Theme, and the Modern Greek Studies Association (MGSA). Several individual donors have also contributed financially. These valuable gifts cover the cost associated with editing, copy editing, and website maintenance, making the operation of the journal possible. For this I am grateful.

Please visit us at

Yiorgos Anagnostou 

Reprinted from the Modern Greek Program Newsletter, Spring 2009. p. 6.

Saturday, June 15, 2019

What Makes a U.S. Greek Orthodox Community?

What makes a community? What are the informal practices, building of institutions, rituals, history, memories, commemorations, words, gatherings, gestures that bring about the sense of sharing and belonging that the notion of community entails?

In this writing I reflect on the idea and a reality of the U.S. Greek Orthodox community. What makes a Greek Orthodox community beyond the obvious connecting thread of faith?  My point of departure is the following tribute to a person recently lost to a local parish in Columbus, Ohio:

“Mike moved his family to Columbus from Youngstown (Campbell) ... . He had a prolific career and was well respected by his peers. And for me, Mike embodied the Youngstown mentality I have known my entire life of a strong work ethic, always giving back to our local community and our church, a passion for maintaining a strong Greek culture, and most importantly the love of family and so many friends.

But it is his work with the Columbus Greek Orthodox church and Greek Olympic Society, where we learned how passionate he was about sustaining a Hellenic community in central Ohio.

Mike truly provided powerful leadership in shaping the direction of our small Greek community from the 1980’s to become the largest church community in our diocese. He spent countless hours with me and our Greek Olympic board members guiding us to choose wisely with our donations for causes locally and internationally and even donating to individuals in an effort to make a difference in their lives.

Mike’s honesty, integrity, humor, witty comebacks, laughter, kindness, compassion for others, work ethic and his drive to do the ‘right thing’ even in times of adversity will forever remain in my heart.” (from the Greek Olympic Society Facebook site) 

These words of praise speak to a particular Greek American ethos: the propensity to work tirelessly for building a community and advancing its interests. The venue of commitment to the community in an educational and cultural organization, namely The Greek Olympic Society, which is attached to the parish and its organizational structure ( The aforementioned ethos is recognized as pervasive feature and fixture to a particular locality. But it extends its operation elsewhere, the midwestern city of Columbus, Ohio, pointing to a wider regional resonance. 

In the Midwest where I live I have been witnessing for many years the many practices that materialize this Greek American world: the volunteering of professional work (architecture, art, cooking expertise) among parishioners toward building–literally and metaphorically–community life; writing for the community's magazine and funding its publication (see,; grass-roots volunteering in festivals, language schools, religious and heritage organizations; acts of charity and cultural philanthropy such as supporting University Modern Greek Studies Programs. 

Notably, this is work regularly performed as a labor of love, mostly undertaken without fanfare, with no expectation of formal recognition. It speaks to a wider historical trajectory: the commitment to an institution, the parish, that historically has functioned not merely as a place of worship, but as a place enabling all sorts of social relations, including, significantly, that of mutual support. It speaks to a deep consciousness that this community matters, a consciousness translated into real involvement.

The power of this ethos is that it is enacted concretely and materially, in countless everyday micro-practices, which also include professional and social support to young people. It is through these social practices that many parishioners and their children experience ethnicity in the United States, in all its cultural expressivity (food, dance, social intimacy) as well as social and economic benefits. Beyond its obvious religious implications, the meaning of being Greek Orthodox in Greek America is shaped through participation in numerous family, social, and professional networks, which often overlap and reinforce each other. 

I am not idealizing community here. Authors and scholars have documented the community’s fault lines, points of rupture, disagreement, exclusion, even outright conflict and fragmentation. 

But I feel it is necessary to point out the operation of an ethos that we cannot afford to ignore if we wish to understand “community” making, and ethnoreligious reproduction in Greek America. 

The commemorative tribute above contributes an answer toward a broader question. How is community produced? And what kind of community is constructed and lived? 

Community in this sense entails the collective recognition of a person’s habitual commitment to an array of virtues–hard work, “giving back” to the community, heritage preservation, faith, family and enduring friendships. These are the normative values offered as a template to be emulated. They are the symbolic boundaries around which the parish constructs itself. 

Offering a definitive answer to the question of community, the tribute raises several others. What is the “right thing” to do as a Greek Orthodox?  How is this negotiated and decided within community politics? How is it practiced?

Ethnographers and sociologists are best positioned to explore this terrain. But authors and filmmakers also engage with these questions. I will pursue this subject in future postings, discussing the insights they offer and the vision of a community that they project.    

Yiorgos Anagnostou
June 2–15, 2019

Related publications:

Friday, June 7, 2019

Making the Archive, Animating It


This summer I decided to devote time into putting some order to the pool of Greek American articles, magazines, newsletters, pamphlets, posters, postcards, photographs, brochures, newspapers, community publications, catalogues, LPs, CDs, letters, announcements, and notes I have been accumulating through decades of research. This personal archive of largely public documents covers the recent past between the early 1990s, when I started graduate work, up to 2010 or so, when I started e-filing most of the relevant resources.

The sheer immensity of sorting through pile after pile of paper dwarfs me. Even this relatively small-scale archive looms as an overwhelming task. It does not help that I have no training as an archivist. I cannot devote myself full-time to this ordering either, as summertime is the time of the year calling for reading and writing.

But I persist toiling through amateurish methods. To add a layer of ordering I have even created the website Archiving Greek America featuring selective documents (

The site provides motivation and meaning in turning a journey of private collecting into an act of public sharing. It is fulfilling to know that I contribute, albeit in a tiny way, to a larger archival project gaining momentum in Greek America.

Numerous archival initiatives, some funded by international foundations, others by prestigious national organizations, and some by local communities, are in full swing in Greek America. This institutional recognition of the value of the archive and the willingness to invest resources for digitizing it is gaining momentum, expanding and enhancing its public visibility. It preciously adds to the vast–and largely underresearched–available archive (


Sorting through my documents has been far from a mechanical enterprise of neat arrangements. Like any archaeological excavation my delving into the disorganized, I admit, microcosm of paper chaos, holds the prospect of exhilarating findings. The randomness in the order in which some documents appear next to each other produce all sorts of delights (but also frustrating realizations). An editorial declaring pride in ethnic success next to an issue of a valuable magazine now defunct, unable to sustain itself. A document whose existence I had forgotten and so relevant to my current writings. Contradictions abound. Serendipity stretches itself in triumph. Unexpected connections call attention out of random juxtapositions.

The excavation of this material proves productive for bringing into fuller view several contours of Greek America, for making discernible some uncommon linkages.

I trace one contour along the lines of several magazines that left a considerable public imprint before receding from public view, morphing into something else, or ceasing to exist.

Another contour is barely perceptible, dotted by fragmented traces of conversations framed by volumes of silence. We know little if anything at all about the reasons why a cultural initiative which incited interest among some failed to animate interest among others, eventually fading away from contemporary concerns.

Yet another contour points to a well-marked line of interests that continues to make headlines in the popular media.

Through the practice of archiving, a seemingly amorphous terrain starts taking shape into a cultural space crisscrossed by identifiable continuities, recognizable shifts, or perceptible ruptures. And still, it feeds the imagination with a multitude of unknown recesses, unexplored areas, unrecognized resonances. Also, other angles and terrains that escape me.

My archive asserts a presence while making visible, alarmingly so, a gaping absence. I am overwhelmed by the realization, once again, that these documents (scattered but available in the public record) remain largely unexamined. For a substantial volume, if not for all, of this cultural network, there is absolutely no analysis; no scholarship; no public discussion. Consequently, there is no understanding of the processes through which certain projects gained prominence while others faded away. 


I return home from the office late at night, blanketed with a sense of dejection. Inevitably, or so it seems. Once again, the urgency to animate the archive presses itself.

To animate an archive, like any past, is to infuse it with another life: study it, circulate the findings, identify its contemporary significance, challenge and inspire researchers, contribute to cultural understanding. It is about linking the archive with the making of books, dissertations, articles, essays, reviews, blogs, commentaries, and documentaries that frame and reframe its significance.

Several dedicated archival activists, academics, researchers, and public intellectuals work intensely and intensively as we speak to materialize these linkages.

But it is not a secret, we all in the field of Greek American studies know what is missing. The critical mass of human resources necessary to fill the multiple gaps, to chart the multiplicity of connections in the record is not (yet?) available.

Perhaps this is what defines the experience of doing Greek American studies, a field that finds itself in lack of cultural and material capital. (Relative lack in some quarters, dire lack in others.) Practicing this field cultivates a heightened consciousness of incompleteness, a partiality in tension. On the one hand, the condition of an underresearched archive feeds the feeling of expansive prospects. On the other hand, the reality of resource scarcity, both material and human is limiting. In turn, it drives the urgent obligation to keep cultivating the archive for greater relevance, for the sheer determination not to allow it to wither; not to allow the displacement or silencing of certain histories and knowledges.

And hence the productive tension residing in the  coexistence between opening prospects and limiting aspects, offering, for me, an ethical and political purpose that makes the dust of the archive and the thrust of achieving its animation a well worthwhile project.

Yiorgos Anagnostou
June 6-8, 2019

Saturday, June 1, 2019

Archive Building, Museum Making

A pioneer in archive building and museum making, Helen Zeese Papanikolas (1917–2004) never tired of encouraging Greek America to build its archives and make its museums. Late in her life, in fact three years before her passing, she took the opportunity of a talk sponsored by NYC's Greek-American Women's Network to urge Greek New Yorkers to create a museum in the city. The urgent call was made. The response, fifteen years later, still to come...

Friday, May 31, 2019

Building a Greek/American Archive

For researchers working on Greek American history and culture 
a new site contributes toward this archive

Sunday, May 26, 2019

Documenting and Understanding Greek America _ Interested?

Are you interested in Greek American history? Do you like reading reviews about the latest documentary or book about the Greek American experience? Or the latest cultural development? Stories about aspects of the experience that have been forgotten?
Are you inclined to read poetry or interviews about Greek American topics? Are you interested in Greek learning?

If this is the case, Ergon is your destination. Find us and read us online at

Ergon: Greek/American Arts and Letters is an open online journal that promotes knowledge about Greek America. 

Read us, support us!!

For more information please contact Yiorgos Anagnostou at

Saturday, January 12, 2019

Framing a Book Project, Bringing into Conversation Italian American and Greek American Studies

Transcultural Encounters, Comparative Inquiries:  Italian Americans and Greek Americans

This volume contributes to American ethnic and immigration studies by bringing into conversation scholars working in the fields of Italian American and Greek American studies. The aim is to move beyond the “single group approach,” which privileges the study of ethnic singularity, to explore these two groups in relation to each other. We propose to bring into focus cross-cultural interfaces and to inquire comparatively about similarities and differences in cultural representations associated with these two groups. 

Our book project contributes to these developments from a particular angle, namely transcultural and comparative scholarship. We are interested in promoting the understanding of Italian Americans and Greek Americans through the study of their interactions and juxtapositions. 

Two perspectives organize this volume: First, we are interested in exploring Greek and Italian U.S. transcultural encounters. Italian Americans and Greek Americans have lived in the same neighborhoods, worked in the same workplaces, loved each other, married with each other, participated in labor strikes together. They play music together. Did they find inspiration in each other’s cultural expressions? What do we know about the fields of their interactions? They have certainly been classified under the same rubric as “white ethnics,” Michael Novak’s infamous PIGS (Poles, Italians, Greeks and Slavs), an ideological construction which was pivotal in the identity politics of the 1970s. But how did Italian American and Greek American lives intersect in everyday social life? How did they negotiate their mobility to the suburbs in relation to each other?

Second, we adopt a comparative perspective so that the practices of one ethnic group will illuminate the other, and vice versa. Both groups have built robust religious and various educational institutions. In what ways their adaptations and cultural expressions are similar, and in what ways are they different in specific contexts? How do we account for the similarities and differences? How have they been representing themselves, and in what manner have they negotiated representations of their identities construed by Others? All-in-all, in what ways did Italian American and Greek American histories and experiences converge or diverge?

Taking cues from concepts such as contact zones and borderlands, we are interested in understanding the social dynamic–processes involving negotiation, conflict, cooperation, solidarity, love, cultural exchanges–that have marked these encounters. We are interested in identifying differences, similarities, and intersections across the historical experiences of these groups. We wish to map specific encounters and comparisons to find out what they tell us about American society as a transcultural terrain.

In addition, our proposed book contributes to the fields of transcultural and comparative studies. Our contributors will be reflecting on the practice of transcultural and comparative analysis they employ, and will be generating insights based on that analysis.

This proposed book is multi-disciplinary. It features scholarship from the perspectives of architecture, ethnomusicology, education, history, cultural and literary studies, film studies as well as whiteness studies. It examines the production of ethnicity in the context of American political culture as well as popular culture, both visual (Kojak, My Big Fat Greek Wedding, Moonstruck) and “low brow” crime fiction (Domenic Stansberry and George Pelecanos). It includes analysis of literature (Annie Liontas/Paola Corso; Elia Kazan, Eleni Sikelianos, Jeffrey Eugenides/Gay Talese, Gregory Corso, John Fante). It involves comparative work on religious architecture, transoceanic circulation of racialized categories (Australia, United States), translocal interconnections (Newark, NJ), the formation of pan-Mediterranean identities, and the making of the immigrant past in documentaries from Italian and Greek filmmakers. Although there have been a couple of books comparing European American ethnic and immigrant groups, notably in labor history and literature, this volume is the first of its kind, as far we can tell, for initiating a multidisciplinary transcultural and comparative study across European Americans.

This book then brings to the fore nationally recognized cultural texts, authors and artistic expression as well as lesser known texts and histories that mostly circulate in ethnic and diaspora contexts. Brought in transcultural relation and juxtaposition to each other, both visible and less visible cultural products widen our understanding of Italian and Greek ethnicities and the ways in which they negotiate their cultural presence in American culture via self-representation and engage with representations of their identity by Others. 

Written in a non-specialized language accessible to the general public, Transcultural Encounters, Comparative Inquiries: Italian Americans and Greek Americans is a book of interest to a wide range of publics: scholars in various academic fields, including American studies, ethnic studies, and diaspora studies. It will speak to Greek Americans and Italian Americans. It will also resonate with readers in Greece and Italy, who are increasingly interested in their diasporas. The book helps imagine new College courses in intra-ethnic European Americans, and new trajectories in European American scholarship. It is positioned to serve as a reference point in future discussion of transcultural and comparative ethnic studies.

This conversation is necessary for several reasons, one certainly in the context of a wider academic discourse that often tends to undervalue the study of European Americans. Seen as tenuously holding on to surface identities and largely assimilated into “whiteness,” Italian Americans and Greek Americans have been marginalized by a significant thread in the American academy. Italian American and Greek American studies have certainly been effective, the former more so than the latter, in bringing into focus the vibrant cultural production of their respective ethnic groups. Indeed, one might speak about a proliferation of research on food, community history, diaspora affiliations, transnational connections, literature and popular culture among others. Scholars have responded to the devaluation of their subject matter by performing its value. They bring to the fore the arts, cultural expressivity, and histories of these two groups, demonstrating how Italian and Greek American ethnicities keep shaping American society and their respective historical homelands.

This is rarely practiced in the scholarship of European Americans. We seek, as we mentioned, to initiate a broader conversation that moves beyond seeing ethnicity as singularity. In this move we come closer to ethnographic and historical realities where immigrants and individuals with hyphenated identities do not live insular lives, or negotiate solely in relation with American culture. They interact, collaborate, clash, and affiliate with each other in various modes and degrees. This fertile transcultural field merits that we place it at the center of analysis. The aim is to illuminate new and unexpected facets of Greek- and Italian ethnicity in the United States.

Yiorgos Anagnostou

For a volume to be co-edited by Yiorgos Anagnostou, Yiorgos Kalogeras, Theodora Patrona